How many fking castles does this guy need?
Between Two Castles is, as the name does not make any effort to hide, a mash-up of Between Two Cities and the Mad King Ludwig franchise. The core gameplay comes from Between Two Cities—there are two rounds, and at the start of each round, each player takes a stack of tiles. Draft two tiles, pass to the left, draft two tiles, pass to the left, until only one tile remains, which is discarded. You’re building a castle with each of the people adjacent to you, and your score is the lowest of the two castles you help build, which means you can’t let one of them suck.
The Mad King aspect is how all the tiles go together. There’s no spatial aspect like the original Castles of Mad King Ludwig; instead, you have several types of square tiles which can be placed around the core of your castle, the throne room. Like Castles, each tile has a type, and most tiles have a way to score points that relates to other tiles in the game. The most common adjacency rules are to score for tiles in the eight spaces around a given tile, or for all tiles above a tile, below it, or both. These can relate to the room type itself (utility room, outdoors area, etc), or the second icon on these tiles (swords, a mirror, and so on).
Another similarity to Castles is that you have much more freedom to build your castle however you want. Most rooms have to be built at the ground floor (the level of the throne room) or above, but there are downstairs rooms that can go below. Tiles have to be placed adjacent to other ones. The castle can go as high as you want, but all rooms must be supported by actual room tiles beneath them (you can’t place a tile above an outdoor area). Alternately, you can go as wide as you want—whatever works for your grand architectural plan.
Also like Castles, you get bonuses for fulfilling certain basic requirements. In this case, if you place three of a tile type, you get an associated bonus, and if you place five of one type, you get a specialty room tile that can add substantially to your final score. It takes some getting used to the bonuses; none of them are hard to understand individually, but understanding them well enough to grab them quickly in the flow of the game can be hard.
And if there’s a flaw in this game, the bonuses are it. Between Two Cities is a fantastic game. Castles of Mad King Ludwig is a game I don’t like playing, but which I can’t deny is well-designed—I’m just crap at spatial awareness. Putting together a castle in the Ludwig vein, according to BTC rules, is quite fun on a basic level. But the draft mechanic works best when everybody sorts through the available tiles, picks two, then everyone plays their tiles together and moves on to the next decision. When people get bonuses, new players will often overlook them because they want to move on to building more castle pieces; once everyone’s used to grabbing their bonuses, then the game either slows a bit while decisions are made (some of the bonuses require players choose from tiles or bonus cards), or some people move on with their next decision and are left to wait while the bonus earners catch up.
I didn’t have a chance to play this with a group who was experienced enough to blow through the bonus-grabbing process, so it’s theoretically possible the game plays very well once everyone is on point. Thing is, BTC is a fairly casual game, and it’s unlikely this game (especially with a bigger group) is only going to have experienced players in it. The rhythm of Between Two Cities that this idea relies on gets thrown off by the Mad King Ludwig aspects. Thus, while the idea is sound and the baseline game is pretty good, it winds up being about 90% as good as what you’d hope to get when putting two games of this quality together.
Still, when you’re working at this level, 90% is solid. If you liked both of the component games, you’ll probably like this. If you liked one and didn’t play the other, it’s worth trying. If… look, just play the game if you get the chance.
(4.1 / 5)