The big Tom King event has finally come to its long awaited climax, the wedding is upon us, Batman 50 is here. There has been so much buildup and anticipation for this comic book it’s actually mind blowing. I’ll give it to Tom King, It’s been a while since I’ve seen so much mainstream hype and knowledge about this storyline specifically and it’s really been making some waves in the comic book world. Like King’s run or not, it’s been a very vital and risky project that will go down in Batman’s history as a very memorable run. 50 marks King’s halfway point, but this issue really is the peak of the story so far and the foundation for a bigger and better journey to come. Controversy abound, #50 is a big hefty issue that will leave you struggling to decide whether you love it or hate it.
Wedding Day is here. Not particularly planned, moreso a last minute decision. Unable to wait anymore, the two crime fighting lovers make their plans to have a very low brow wedding away from all the spectators and family, and before long the day quickly approaches. The reality our heroes must face however, is that their lives are far more complicated than the average everyday human. Perhaps marriage is the best thing for them. Perhaps if they marry they settle down and become the perfect, happily-ever-after couple and put their crime fighting days behind them. Perhaps they could continue their lives bringing down the evils of Gotham together, perfectly married and perfectly kick-ass. Perhaps these ideas are unrealistic. As the day draws nearer, they both must decide what’s best for them, and despite how deeply they’re in love with each other, one of them might break.
Batman #50, regardless of how the reader feels about the conclusion and the story in general, is an amazing issue for a couple of reasons. Every other page includes 2 pieces of art different from the main artist. Art drawn by previous artists of Batman’s many, many runs over the years. From Greg Capullo to Frank Miller tons of art styles come together in collaboration to not only make an amazing comic book but an amazing tribute to Batman over the past 80 years of his existence. It’s truly a family reunion of sorts, and it’s something that by no means had to happen. Tom King simply decided it was a great idea, and here we are with one of the coolest collabs I’ve ever seen in all of comic books. Batman #50 is a true celebration of Batman as a character and the love between Bruce and Selina. It’s also an awesome emotional storypiece. Half of the comic is told in letter form, each page alternating between reading through a letter written by Bruce to Selina and a letter written by Selina to Bruce. Both declaring their love, one declaring their doubts. It’s beautifully well paced and executed. King understands how to write Batman from an emotional standpoint, but where he really shines is writing Selina Kyle, a very powerful, independant, intelligent, but damaged person who struggles to make a decision between their love or the rest of the world. Perhaps Tom King’s run of Batman has had some major low points for me, and for the past 50 issues it’s been a consistent love hate relationship. Proper action seems few and far between at times. Sometimes writing just goes a bit too psychological and methodical for how I think Batman should be written, but when King succeeds, he succeeds big, and I think Batman #50 is an awesome work of art.
(5 / 5)
Apparently it’s the year of returning characters. Both Marvel and DC seem to be on their classic reintroduction and renumbering methods in order to pull in alienated fans (Marvel a little more egregious than DC) but these last few efforts at reintroducing teams and forgotten heroes / villains on DC’s part, to be fair, has actually been a lot of fun. Characters like Plastic Man, Booster Gold and Hawkman are characters that had a fundamental spot in the pre-New 52 era of DC comics and to see them coming back slowly into the spotlight is a welcomed change to the otherwise safe but stale main line of heroes. Batman / Superman / Wonder Woman and the rest of the league are great characters, I like them all, but they only go so far in entertainment value. DC Universe is massive in scale, and they’re finally showing that again for the first time since 2011. Justice League Dark is another addition to that growing gallery. In the beginning of the New 52, JL Dark had a healthy run unlike some of the other mentioned titles, but it quickly became somewhat bland. While we had some great, well-known characters like Constantine, the New 52 roster was quickly replaced by new and less interesting weirdos of the DC universe. This new JL Dark looks promising, bringing some much needed attention to the dark and mysterious underbelly of the DC Comics world with a roster of fan favorites.
Magic is all out of whack and the entire magic community of the DC Universe is feeling its effects. Zatanna’s magic shows are going all wrong, Constantine is lying low, Swamp Thing is in despair and much of the rest of the magic world has gone into hiding. After the events of No Justice, Wonder Woman is tasked with creating and leading a magic focused department of the Justice League. While WW isn’t exactly the most textbook Magic user on the League, her time on her home island Themyscira and history with the Greek Pantheon provide more experience than any other league member. Still, Wonder Woman doesn’t exactly fit into the Magic side of the world. It’s dark, mysterious and things aren’t quite so black and white as truth and justice. Wonder Woman is a paragon of light, and that alienates her. That, along with the unanswered going-ons with Magic in general makes things a little difficult for Diana. The Magic world isn’t exactly friendly with each other, though with a great evil force descending upon them in the near future, Wonder Woman will have to find a way to band these old allies together again and reform the Justice League Dark
Tynion IV is writing this comic, which is a good and a bad thing. His story writing and his big scale tendencies make for really exciting and intense comic books. But Tynion is most well known for writing big event style comics. Metal, Batman Eternal, Zero Year, etc. So JL Dark quickly feels perhaps too big for its britches. It’s extremely dialogue heavy, and we’re quickly thrown into a storyline that’s world ending in size. It’s a little jarring from what you would expect of Justice League Dark, which usually deals with the shadows and the terrors underneath your bed. I’m not saying the writing is bad, it’s actually quite good, but I’m concerned of the direction this comic is immediately going in, and how much staying power it has if it goes huge from the very beginning. Tynion’s work on Constantine does show that he knows the Magic world of the DC Universe, and his style and finesse with these kind of darker characters shows pretty well in this first issue. Wonder Woman is a great paragon to balance everything out, and I think she’s a really intelligent aspect that will bring an awesome spin on the otherwise bleak comic. Not to say the comic shouldn’t be bleak, it should, that’s what JL: Dark is, but we’re quickly finding a strong balance with WW and I really enjoy it.
Dark has great writing and beautiful art, to be expected, though its story starts out huge with questionable room to grow. Hopefully Tynion can pull through and deliver a team comic with some staying power.
(4.5 / 5)
Listen, I’m a sucker for Star Wars content. I don’t care what it is or who it’s about, I’m probably in. Does Marvel oversaturate the Star Wars comic book market? Yes. Am I their pathetic demographic? Absolutely. Beckett is a one-shot Star Wars comic based off the Han Solo mentor character from the Solo movie. Why is there a comic about this character? Who knows. There shouldn’t be, and yet here I am, buying and reading it. In all fairness, Marvel usually does a pretty good job with these short stories, and it’s hard to pass up these 1 and done issues. As long as they’re not trying to make anything continuous out of this, I can’t really complain. With the controversy that surrounded the necessity and the quality of the Solo movie still here though, I question the decision to print this comic book. DJ from The Last Jedi got his own comic book and I’m sure that sold all of 3 copies total. I gave it a read anyway.
Beckett is about everything you would expect. He’s a scoundrel and he doesn’t care who he screws over if it means he and his team are better off for it. We follow Beckett and his familiar band of criminals across the galaxy in 3 small adventures, paying homage to some characters from Solo and giving us a few glimpses into Becketts otherwise everyday life. He’s clever, shoots from the hip and he gets away with it too. Each different chapter shows a some different sides of the crew, though all seriousness aside, it’s mostly about them getting out of any precarious situation they manage to get themselves into, and there’s not much else to it.
Reviewing a Star Wars comic book is pretty easy for me. Does it feel and look like Star Wars? Yes. Beckett manages with it’s art and story to give off a pretty convincing Star Wars vibe, and that’s more than I can say about a few of the Marvel Star Wars comics of the past few years. The look of this comic works, and while the story is extremely simple and provides nothing new or exceptional it’s also entertaining enough to keep you reading. That info can be turned on its head though, especially when considering what this comic book is. No one really cares about this character, and while I liked Solo, like Woody Harrelson and didn’t mind Beckett as a character, he’s pretty disposable. This comic is obviously designed for die hards and loyal readers, because no one else is going to pick this up, nor should they, and if Marvel is okay with that then it looks like we have a pretty decent comic book here. What more can you ask for? Beckett is a passable comic that should appease Beckett fans. If they’re out there. Kudos to the artist for putting chapters in this comic, and using an entire half page to indicate chapters 1-3. That’s cool and different.
(3.5 / 5)
In Gizmos, players look to create the most magnificent of machines, taking on the role of inventors at the Great Science Fair. By utilizing four different types of energy marbles, taken from the innovative 3D marble dispenser, they will purchase and construct new additions to their Gizmos. The best Gizmos will be able to chain-reaction off of new additions as they’re made, giving players multiple results from taking a single action. The player that builds the greatest machine and collects the most victory points is declared the winner.
2 – 4 Players
40 – 50 Minutes
$ 34.99 MSRP
*Description used from Cmon website
All good things must come to an end, and Peter Tomasi’s run on Superman was a very, very good thing. Upon the release of New 52, Superman became a very different character. He was young, inexperienced, perhaps a little angsty. It was a massive shift from the type of Superman that had been so recognizable for the back 80 years. Kudos to DC for trying something different, for taking such a staple character and twisting him just enough to really shake things up, but it didn’t work, and for a few years we were left with a Superman that just wasn’t very likable. Nostalgia overtook us. Fans of Superman longed for the truth and justice boyscout to come back to the DC frontline once again. Haters of Superman realized they didn’t care what DC did, and as such, voices were heard. Rebirth Superman was whole again, and Tomasi took everything about that old Superman and ran with it, this time with his young son Jonathan to help him out. It was the most fun I’ve had with a comic book in a really long time, but Tomasi eventually was shifted out, and he moved on to other projects. Brian Michael Bendis, after his departure from Marvel Comics, took over the comic book, and as controversial as he is across the comic book industry, Superman would be his chance to show his skills on the comic page once again.
Superman #1 opens showing the superpowered Kryptonian in all his superhero glory – putting out fires, punching giant dinosaurs, exploring the unknown reaches of space. You know, the typical stuff. After realizing the true history of his planet (something I won’t spoil here), Kal is in a bit of a bind. Could he be doing more? And what is he raising his young superpowered son to be? A hero like him? Being perhaps the most powerful mortal in the entire universe had it benefits, but it came with some difficulties too, and perhaps Kal could provide something more for his son than just his legacy. J’onn J’onzz, a similarly powered being with a similar backstory has an option for Supes. Become the world’s leader. Hell, become the leader of the galaxy. Superman is a good person, a benevolent person. He could bring the people of Earth and others together. Uncountable amounts of needless turmoil would be put to rest. People would rally around him, desperate for change. Kal, for obvious reasons isn’t exactly convinced. Though perhaps on paper it was a good idea. Perhaps he could do more. He half heartedly says he’ll think about it, knowing the idea is pretty sketchy.
This comic is interesting, and I’m not exactly sure how I feel about it overall. There are some points of contention. The comic borderline feels like it’s trying too hard. It has this very enjoyable 70’s vibe to it. An occasional narration overlord talking to the reader, which harkens back to the classic “Meanwhile, at the Legion of Doom!” style of storytelling, but it skirts the line of being over the top. Luckily, it doesn’t cross it quite yet. The comic is humorous, and not afraid to use Superman’s overpowered nature to its fullest in an enjoyable way, but again, any further and it’ll feel ingenuine. Bendis’ criticisms about thinking he’s a bit more clever than he actually is peeks its head here, but Superman #1 remains lighthearted and entertaining enough to not ruin itself. My expectations after Tomasi are near unreachable, and that’s the unfortunate reality DC is going to have to face with a lot of people who have cherished this short comic book run up until this point. This new team and new series is, after 1 issue only, satisfactory. But the direction Bendis teeters in his writing style for the Man of Steel will make or break this comic book, and that’s a little scary. I’ll always stick with Superman regardless, and I’m excited to see where this comic book goes.
(3.5 / 5)